Wavetable Synthesis – Each Waveform is now a Morphing Wavetable.Over 400 New DSP Waveforms for the Synth Oscillator – an increase of 100X.Audio Import – Use your own audio file as a soundsource in Omnisphere.You can do old fashioned arpeggiated chords and basslines, but it's also possible to choose any of the percussive patches and use the arpeggiator as a stepsequencer to create beats. It's very flexible and, yes, it's also very easy to use. There's one more thing: the arpeggiator is great. The whole interface of Omnisphere can be scaled, but only 1x will fit my 15" laptop so that does not help me much. The ability to switch on or off layers, effects and the arpeggiator right from the main page is awesome, but why are these LED-like switches so damned tiny? The magnifying glasses that open the detailpages are also a bit too small to my liking. I do wish some user interface elements were just a little bigger. If you have something like a Bassstation2 or a Miniloque and are looking for different sounds to complement these instruments Omnisphere is a unique proposition. Great sonic possibilities, hands-on control, total recall from within the DAW, it's hard to beat. Suddenly, with the hardware integration and a Nordlead sitting next to me the price made sense. It was buying a hardware synth, because I really need that hands-on control to stay inspired. But the alternative to buying Omnisphere for me was not another VST. It cost me more than many of the DAW's I've used. Omnisphere is definitely the most expensive VST I have. Software has suddenly become more hands-on then it has ever been for me. With the Nordlead acting as a fully integrated controller I'm tweaking away on sounds the Nordlead could never do. My Nordlead has really gotten a new lease of life with Omnisphere. Omnisphere's huge sound library and synthesis engine becomes even more powerful if you have one of the supported hardware synths. Apart from Absynth I don't know any plugin that does this well, and in fact, Omnisphere does this a lot better, I think, because it's synthesis engine is so much simpler to use. They offered kinda realistic recreations of real instruments, but really excelled at creating hybrid sounds: subtractive synthesis based on samples. I've always loved the sound of the Roland D-50 and Korg Wavestations. Omnisphere does one thing very well that not many VST's offer nowadays. Spectrasonics warns us that using multiple instances will cause extra overhead, so I was glad to find that setting up a multi in Omnisphere is really very easy. I'd rather open new instances on new tracks, because that way every instrument has it's own track in my DAW and I can easily sculpt the sound further with other plugins. Usually I'm not a fan of multi timbral VST's. You can create whole soundscapes from a short field recording or a sample from a record. You can however import your samples and use them for granular synthesis and that I really love. I'm fine with that as I never use my own samples to create realistic instruments anyway. Omnisphere is not a sampler, meaning you can't use your own samples and create complicated keymaps, switches or round robin setups. I'd don't think I'd buy these effects to mix with, but as a complement to the sound engine I think they're fine. A big bunch of effects really put the icing on the cake. All go through a subtractive synthesis engine that allows you to sculpt the sound to your liking. There's an extremely large amount of sampled "soundsources" available plus a very decent amount of modeled analog waveforms. If you want a complete review you better head over to the Sound on Sound website and make sure you read the manual! This is also just a very personal opinion on Omnisphere and the reasons why, for me, it's a great product. This is not a complete description of all Omnisphere can do.
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